In response to the book, Forget the Alamo

In response to the book, Forget the Alamo:









































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Auschwitz Abstract

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Tom R. Chambers combines photographs from the "The Auschwitz Album" with his geometric abstraction to embellish the documentation as symbols of value. The geometry and color fields accentuate the images of families and individuals before being stripped of their dignity and in many cases, put to death. He utilizes photographs that comprise direct eye contact with the SS cameras to establish a connection with the viewer of the compositions to "never forget".  He has received permission from Yad Vashem, The World Holocaust Remembrance Center, Jerusalem to exhibit this combined project as  "Auschwitz Abstract" .  "The Auschwitz Album" is the only surviving visual evidence of the process leading to the mass murder at Auschwitz-Birkenau. It is a unique document and was donated to Yad Vashem by Lilly Jacob-Zelmanovic Meier. The photos were taken at the end of May or beginning of June 1944, either by Ernst Hofmann or by Bernhard Walter, two SS m...
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The restorations, poster layouts, and research (text) are by Tom R. Chambers. This selection of photographs provided by the citizens and now residing in the Permanent Collection of the  Tales 'N' Trails Museum  shows the early years of the community and surrounding areas. It puts a "face" and sometimes names to activities over a 100 years ago that were a formative influence. The text is extracted from  TSHA (Texas State Historical Association)   and other sources to provide as accurate a narrative as possible to reflect the mores and living conditions of the time. The photographs are courtesy of: Bill Billings, Bill Crowe, Louie Labeau, Nell Ann McBroom, Doris Reed, Glenn and Marie Stouder, James Wallace, Clarice Whiteside, Rosemary Wingate, and Eddie Yetter. The originals were scanned by Mike Storey. The research was edited and approved by Nell Ann McBroom (Director/Curator, Tales 'N' Trails Museum) and Max Brown (Historian). Several poster images follow: Noc...
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This exhibition by Tom R. Chambers comprises the Collection at the American Windmill Museum, Lubbock, Texas. It was shown at the museum, February/March, 2019. It is now on permanent display as part of the museum's collections. Chambers takes great delight in this project since he grew up with windmills (wind pumps) and particularly the one that his grandfather used to pump water for his herd of cattle. The signature/logo that is seen bottom-right for each photograph incorporates an image of his grandfather's windmill (wind pump). Chambers' grandfather's windmill eight miles north (FM103) of Nocona, Texas:
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