In response to the book, Forget the Alamo

In response to the book, Forget the Alamo:









































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Auschwitz Abstract

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Tom R. Chambers combines photographs from the "The Auschwitz Album" with his geometric abstraction to embellish the documentation as symbols of value. The geometry and color fields accentuate the images of families and individuals before being stripped of their dignity and in many cases, put to death. He utilizes photographs that comprise direct eye contact with the SS cameras to establish a connection with the viewer of the compositions to "never forget".  He has received permission from Yad Vashem, The World Holocaust Remembrance Center, Jerusalem to exhibit this combined project as  "Auschwitz Abstract" .  "The Auschwitz Album" is the only surviving visual evidence of the process leading to the mass murder at Auschwitz-Birkenau. It is a unique document and was donated to Yad Vashem by Lilly Jacob-Zelmanovic Meier. The photos were taken at the end of May or beginning of June 1944, either by Ernst Hofmann or by Bernhard Walter, two SS m...
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Nocona - The Early Years

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The restorations, poster layouts, and research (text) are by Tom R. Chambers. This selection of photographs provided by the citizens and now residing in the Permanent Collection of the  Tales 'N' Trails Museum  shows the early years of the community and surrounding areas. It puts a "face" and sometimes names to activities over a 100 years ago that were a formative influence. The text is extracted from  TSHA (Texas State Historical Association)   and other sources to provide as accurate a narrative as possible to reflect the mores and living conditions of the time. The photographs are courtesy of: Bill Billings, Bill Crowe, Louie Labeau, Nell Ann McBroom, Doris Reed, Glenn and Marie Stouder, James Wallace, Clarice Whiteside, Rosemary Wingate, and Eddie Yetter. The originals were scanned by Mike Storey. The research was edited and approved by Nell Ann McBroom (Director/Curator, Tales 'N' Trails Museum) and Max Brown (Historian). Several poster images follow: Noc...
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Mother's 45s

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Tom R.  Chambers matched his mother's   45rpm records   with the family   photographs   to create   assemblages   by using the hole spaces of the records to frame the images. He eventually arrived at a satisfactory combination, incorporating forty-five 45rpm records with images and a portion of each song onto an audio cassette to be used as a part of the exhibition. He faded-in/faded-out the songs and looped them for continuous play and in order with the wall display of the photo/record assemblages. The photographs of his mother were sequenced according to the chronology of her life, which spanned almost 60 years. When the piece is viewed along with the songs, the sound stimulus pulls the viewer from record to record (1-45) and this process has some interesting points: the maturation process of his mother is seen; the man who came into her life and eventually became her husband and his father is seen; the maturation process of her only child (him) is s...
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